Results, it’s a constant struggle, and when in addition to the mechanics of survival asking us to manage hunger, sleep and cold in an immense open world map with vertiginous reliefs, we lose the central thread a bit which is basic liquidating huge deities in fights a la Shadow of the Colossus. The problem is that the world is vast, totem poles are tiny and that most of them are stashed away like secret collectibles to be discovered when they are rather important. However, we can increase it by recovering totems scattered here and there in the map. In addition, each movement that we perform will burn our endurance gauge to the point of penalizing us, or even immobilizing us, when it is empty. We spend our time walking in slow motion in 60 cm of snow, the jumps leave us several seconds in the air like in a Halo, the climbing is super slow and the rolls seem to be parasitized by input lag. For the rest, it will be necessary to be attentive and to explore a vast open world in search of environmental narration and pieces of parchment recounting the misadventures of the few men who trod the icy grounds of the region. Playing the mystery card all the time, the game is practically silent, devoid of staging, other than the introductory cutscenes of your gigantic opponents, and only the few lines that accompany the opening of the game will give you event information. And if this brief summary is too cryptic for you, know that it took me several hours of playing to understand the ins and outs in-game. So this is your objective, to find and destroy the titans who roam these scarred lands and thus rekindle the hope of a second chance for your people. His only salvation is here, in a land covered in snow and scarred by icy storms, which also turns out to be the land of doom deities and undead entities. The damsel is on a quest to find a new home for a civilization in the throes of disaster and extinction. Our journey begins in the shoes of a young redhead stranded on a frozen shore.
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